Albums of the Year

A review of the year's best new music releases, curated by Anxious Sound, a music zine aimed at sharing essential noise.

2018
“I'm dying.”
“Is it blissful?”
“It's like a dream.”
“I want to dream.”
Deafheaven

11

LP, Jeffery Drag

10

LP, Warner Bros.

09

LP, Castle Face

To The Boy I Jumped In The Hemlock Alley

08

LP, a Records

Canadian Prairies

07

LP, Turnstile

06

LP, Castle Face

01

LP, Deathwish

Dream House

Sometime in the Spring of 2013 an image appeared on the Instagram feed of the independent record label Deathwish. The image was beautifully sparse, with only a single word — SUNBATHER — spelled out across three rows of text in elegant, minimal type against a soft orange-pinkish background. Whole stems, crossbars, and shoulders of letters seemed to disappear completely into the soft tones behind them. I assumed it was an album cover though it didn't look like any album cover I had ever seen. Further reading revealed it was the cover art (designed by Nick Steinhardt of Touché Amoré) of the forthcoming album by the band Deafheaven from San Francisco. Somehow the band had eluded me to that point, but they now had my attention.

I listened to Sunbather for the first time on the morning of its official release, June 11, 2013. (I somehow summoned the willpower to avoid all prior leaks.) I was immediately consumed by the opening track “Dream House”, with its cascading wash of guitars, frantic drums, and the tense, controlled screams of vocalist George Clarke. It was something incredible. Its formula — epic, genre-crossing crescendos of frantic, moody aggression, paced by impenetrable blast beats, suddenly braking to swells of disarmingly pretty guitar interludes — is replicated across Sunbather's duration. The result is an album of beautiful ferocious melody — at times blistering and discordant, otherwise tranquil and contemplative. It's an album with great emotional resonance equal parts devastating, haunting and lovely — the sum of which delivers a visceral impact that is immediate and relentless. It's the kind of album I always hope to discover, and that broadens my perception of what music is capable of in sound and vision.

Other albums I liked:

Evil Hits — Holy Wave

Drifters / Love Is The Devil — Dirty Beaches (Alex Zhang Hungtai)

The Man Who Died In His Boat — Grouper

The Blind Hole — Dead In The Dirt

Nebraska OST — Mark Orton

Soft Will — Smith Westerns

II — Unknown Mortal Orchestra



Julia With Blue Jeans On — Moonface

Fix It Alone — Heavy Times

Loud City Song — Julia Holter

Defend Yourself — Sebadoh

Finding Meaning In Deference — The Mallard

Fuzz — Fuzz

Moon Sick — Thee Oh Sees