Albums of the Year

A review of the year's best new music releases, curated by Anxious Sound, a music zine aimed at sharing essential noise.

2018

The white room
By a window
Where the sun comes
Through

Radiohead

09

LP, Drag City

Clue

08

LP, Jagjaguwar

Stimulation

07

LP, Faux Discx

Murmur of the Heart

06

LP, Deathwish

Where I Leave

03

LP, Editions Mego

Us

02

LP, Sacred Bones

Orlando

01

LP, Thrill Jockey

Image of Control

SUMAC is Nick Yacyshyn (Baptists) on drums, Brian Cook (Russian Circles, ex-Botch) on bass, and Aaron Turner (Old Man Gloom, ex-Isis) on guitar and vocals; three musicians with impressive resumes and who seem perfectly suited for this band, to the point where its very alchemy would dissolve if any one of them was swapped out for someone else. SUMAC may have begun as Turner's singular vision, but the two albums to date, The Deal (2015) and What One Becomes, proclaim a brilliant command of atmosphere, mood, and negative space that arguably could only have emerged from the sonic collision of these three specific players. Each contributes something irreplaceable to the band's dynamism.

Like its predecessor, What One Becomes is an exhilarating, no-nonsense collision of opposing forces: darkness and light; catastrophe and grace; creation and destruction. Nowhere is this more evident than on the album's colossal fourth track, “Blackout”, which swells and breaks across a landscape of sky-is-falling doom for 11 minutes, before erupting into a melodic expression of hope for its 6-minute coda.

It's rare to find a metal album that is both fraught and introspective, but What One Becomes is what it sounds like. There is a gravity to this record that is often so forceful escape seems impossible. Its heavy, deliberate pace seems to consume the listener completely. The result is more an experience — tension and release made audible — than a mere collection of songs, and, for me, its unique and prodigious impact was unequaled by any other album in 2016.

Other albums I liked:

Superior — Self Defense Family

Masterpiece — Big Thief

Pearls To Swine — Adam Torres

A Weird Exits — Thee Oh Sees

The Psychedelic Swamp — Dr. Dog

When You Walk A Long Distance You Are Tired — Mothers

A Hand Through The Cellar Door — Luke Temple

West — Cave Story

Always — Hidden Ritual



Heron Oblivion — Heron Oblivion

The 1966 Live Recordings — Bob Dylan

Will — Julianna Barwick

Live In San Francisco — Thee Oh Sees

Sleep Cycle — Deakin

Schmilco — Wilco

Half Seas Over — Olan Mill

Plaza — Quilt

Crown Feral — Trap Them