Albums of the Year
2025
Anxious Sound
10
Twilight Override
Jeff Tweedy
30-Song Collection
Released September 26 on Dbpm
Favorite tracks: One Tiny Flower, Stray Cats in Spain, Enough
09
The Spiritual Sound
Agriculture
10-Song LP
Released October 3 on The Flenser
Favorite tracks: Flea, Dan's Love Song, The Reply
08
Ill at Ease
Preoccupations
8-Song LP
Released May 9 on Born Losers
Favorite tracks: Bastards, Ill At Ease, Krem2
07
Through the Open Window: The Bootleg Series Vol. 18
Bob Dylan
139-Song Collection
Released October 31 on Columbia and Legacy
Favorite tracks: K.C. Moan (with Danny Kolb), He Was a Friend of Mine (Take 2), Moonshiner (The Times They Are A-Changin' Alternate Take, NYC, 1963)
06
Lonely People With Power
Deafheaven
12-Song LP
Released March 28 on Roadrunner
Favorite tracks: The Garden Route, Body Behavior, Winona, The Marvelous Orange Tree
05
One Battle After Another OST
Jonny Greenwood
18-Song LP
Released September 26 on Nonesuch
Favorite tracks: Baktan Cross, Trust Device, Trio for Willa
04
Never Enough
Turnstile
14-Song LP
Released June 6 on Roadrunner
Favorite tracks: Never Enough, Light Design, Look Out for Me, Ceiling, Birds
03
The Trials and Tribulations Of...
Clikatat Ikatowi
23-Song Collection
Released March 21 on Numero Group
Favorite tracks: Affirmation, Feeding of the Birds, Ramble on Candy Wrappers, The Appliance
02
Observance
Primitive Man
7-Song LP
Released October 31 on Relapse
Favorite tracks: Devotion, Natural Law
01
The Future is Here and Everything Needs to be Destroyed
The Armed
11-Song LP
Released August 1 on Sargent House
Favorite tracks: Well Made Play, Purity Drag, Grace Obscure, Broken Mirror (feat. Prostitute), Sharp Teeth
Bankrupt moralism. Cultish partisanism. Mindless consumption of unreality. The Armed see this troubling trajectory, and THE FUTURE IS HERE AND EVERYTHING NEEDS TO BE DESTROYED—the band's sixth album—is both a warning and condemnation, delivered with feverish intensity across 11 tracks of blistering, frenetic noise-rock. Think “A Hard Rain’s A-Gonna Fall" with a vitriolic urgency amplified to eleven, because the rain is falling now. The flood is on.
The fractured synths, distorted guitars, and furious vocals on album opener “Well Made Play” signal the emergency from the outset, frantically turning order into chaos and moral clarity into indictment. Every moment pulses with disappointment and disdain. From there, the album combusts as it careens. It’s more demolition than careful construction. Blast beats detonate without warning. Dissonance looms like a constant smog cloud. All melody is contaminated — beautiful but bruised. When the band teases pop sensibilities, such as on “Sharp Teeth” and “I Steal What I Want,” it promptly and unmercifully stomps them out with torrents of feedback and rage.
The promotional material for the album’s release heralded it as “an unfiltered expression of Weltschmerz, the German term describing the anguish of the world’s reality versus our idealized visions of what it should be.” Whether confronting societal numbness (“Broken Mirror” skewers hypocrisy and performative patriotism, through snarling vocals by Moe Kazra of Prostitute) or personal desperation, The Armed don’t just want you to listen. They demand you confront the dispiriting reality head-on.
On THE FUTURE IS HERE…, hope is undermined, and beauty is continuously betrayed by brutality. Urgent defiance is all that remains. “Don’t let it make you go numb / Don’t let it dull your compassion,” Tony Wolski pleads on the closing track, “A More Perfect Design.” In an era where mass despair is casually and sleepily consumed like your daily latte, that defiance — unfiltered, ragged, and uncompromising — is its own kind of salvation and a desperate plea to wake up. Here, The Armed remind us that now, more than ever, there is no more critical act and no time to wait.